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    漾藝廊C8-3 /107年5月/與白共存/孫郁琇個展

展覽名稱:與白共存
藝術家:孫郁琇
展覽理念:
《與白共存》
白色,是能夠體現我畫面氣氛的很重要的一個環節。
曾經聽過一個做版畫的藝術家前輩這麼形容,他說他每一刀劃下去,就像是在黑暗中劃開一道道白光,就仿佛是在創造世界。而我們繪畫的人卻正好相反,我們卻是把原本白色的背景一筆筆的蓋住。
那麼我們難道是在掩蓋光明麼?
與我而言並不是這樣的,我是在與光,與白共處。
我總是在和白色的紙商量,怎麼樣才能共存,既能達到我想展現的氣氛,又保留了白色背景的特性。
總會有人開始詢問了,那麼請問你的畫究竟想表現一個什麼主題呢?
這裡想請各位暫時拋開一定想要看懂些什麼的想法,只是單純的進來,欣賞,如果我有幸的話甚至也許我們能產生一點小小的共鳴。
在現在這個媒體信息過於發達的年代,我們有著也習慣於許多唾手可得的快餐知識。我們經常看到一個展覽,進來就想快速的懂和理解,比起自己感受到什麼,我們似乎更在乎自己有沒有讀懂作者想表現什麼,總是惴惴的猜想著作者想表現什麼,自己有沒有理解對。
而畫是我想和你們的精神產生鏈接的一種交流方式。
是我的幻想,是我眼所見的美,是我無法正確傳達的愛,無法言明的思念。是我心裡的害怕,彷徨,也是我默默的決心和堅持。我經常張開嘴想和你們說些什麼,卻不知道該如何正確的溝通和表達,最後只能默然的合上了嘴。但即使如此卻又渴望的想展現給你們看,渴望對話的圖像,和狀態。
我們總是有足夠的小聰明來偽裝自己,卻沒有足夠的智慧知道來如何排解情緒上的絕境,或者表達自己真正的愛。
然而對於我而言,我的畫,就是我。你的理解,也是你。
我,是一個獨特的我。你,也是一個獨特的你。
Personal statement of the Exhibition
“Coexist with White”
As one of the most important parts, the white could fully reveal the atmosphere of my painting.
A predecessor artist who focussed on printmaking once described that, each cut in his work seemed like slicing a beam of white light from the darkness, as if creating a new world. In sharp contrast, we painters are covering up the blank white background little by little.
Could it be said that we are concealing the light in this case?
For me, the answer is certainly negative. I am coexisting with the light, the white.
I am always negotiating with the white paper, to explore how to coexist with it, to an extent that the desired atmosphere could be expressed and the characteristics of the white background also be maintained.
I have been frequently asked that, what topic on earth would I like to express with my paintings?
Here, it would be greater if you could simply appreciate and enjoy my work for the moment, rejecting any compulsory thought of understanding my topic and objective. With luck, a bit of sympathetic response could be generated between us.
In an era full of over-developed medium information, the majority of people have gained and been accustomed to a great amount of fast-food style accessible information. In most cases, the viewer of an exhibition would like to hastily comprehend the design concept as soon as he/she enters the space. It seems that the attention is paid more to what the artist want to express, rather than what he/she experiences in the exhibition personally, and the viewer tends to be anxious about guessing the purpose of the artist and whether the right answer has been achieved.
However, the painting represents a way of communication between the painter and the spiritual world of viewers.
It includes my illusion, the beauty that is witnessed by my own eyes, the love that couldn’t be properly conveyed, and the cherished memory that is too implicit to explain, as well as my fear and hesitation in the heart, my silent determination and persistence. Frequently, I open my mouth and want to say something to you, but have no idea of how to properly communicate with you, and just keep silent finally. Even so, I am still eager to show my inner world to you, with a communicative.
We always have enough petty tricks to disguise ourselves, yet without enough wisdom of how to relieve the pressure of being an emotional blind alley or how to show our true love.
Regardless, for me, my painting represents who I am, and your comprehension reflects who you are.
Both of us are unique and distinct in the world.

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